Transception is an ongoing exploration of how static forms can embody movement through the layering of surface, material, and subjective experience within the field of painting. The process involves a series of kinesthetic activities—repurposing everyday objects and incorporating them with painting techniques—to create a dialogue between form and content. Ordinary material becomes a site of transformation, where traces of motion are embedded in stillness.
Drawing from Merleau-Ponty’s notion that perception is embodied and always incomplete, the work creates an interplay between what is seen and what is suggested, producing an energy that lingers in the gap. The viewer’s movement and interaction activates shifting impressions, where perception itself becomes both subject and medium.