Margaret Nunberg proposed that ‘art is a bridge between consciousness and the unconscious,’ thereby pioneering the process of art therapy. Edith Kramer established the concept of ‘art as therapy,’ emphasising the healing power inherent in the creative process itself.
Building upon this, the Healing House employs an activity-based therapeutic model integrated with psychotherapy. Through active participation, the Healing House facilitates transitions to new life contexts, enabling profound healing and therapeutic outcomes. Thus, the Healing House serves as a sanctuary where the spirit may rest and energy may flow freely.
My design philosophy centred on “designing for service functionality”. Through gentle curved forms, the inherent textures of natural materials, and minimalist yet practical functional elements, I created an inclusive, soothing space. This fosters a relaxed, unhurried atmosphere, enabling visitors to shed defences from the moment they enter and experience acceptance, respect, and goodwill. Individuals continually engage in therapeutic activities, exhibitions, and charitable sales according to their needs. This journey evolves from the personal to the collective and societal, progressing from exchange and sharing to contributing to society through helping others. Participants gain self-affirmation and elevate their life goals, drawing healing strength to overcome obstacles and blossom anew.
·玛格丽特·努姆堡提出“艺术是意识与无意识之间的桥梁”，从而开创了艺术治疗的过程。伊迪丝·克莱默 （Edith Kramer） 开创了“艺术即治疗”的概念，强调创作过程本身的治愈力量。
·基于此，“疗愈之家”采用了以活动为主的疗愈加心理治疗模式。疗愈之家通过积极参与，帮助人们过渡到新的生活场景，实现深度疗愈和治疗。因此，疗愈之家是一个心灵可以休息、能量可以自由流动的避难所。
我的设计理念以“设计服务功能”为中心。通过柔和的弧形形式、天然材料与生俱来的纹理以及极简而实用的功能元素，我创造了一个包容、舒缓的空间。这营造了一种轻松、从容不迫的氛围，使游客从进入的那一刻起就摆脱了防御，体验到接受、尊重和善意。个人根据自己的需要不断从事治疗活动、展览展示和慈善销售。这段旅程从个人发展到集体和社会，从交流和分享发展到通过帮助他人为社会做出贡献。参与者获得自我肯定并提升他们的人生目标，汲取治愈的力量来突破障碍并重新绽放。
Architecture 
Rimple Thadani | Architecture
