“The Cooing of Memory” draws inspiration from the childhood memories of interviewee Amy Zhu, reconstructing a scene by the window—the cooing of pigeons evokes a memory space that continuously unfolds and reconstructs in the present. The sheer curtains in the installation serve as a visual medium, transforming memories into layered, blurred images, leaving traces of time.
Through rotating vinyl animation, sound clips, origami, handicrafts, and the intervention of smell and touch, memory becomes a process of continuous reconstruction and re-experiencing.
As viewers watch and listen, they enter another person’s memory, gradually recalling their own experiences, ultimately creating traces of their own memories through interaction.





