Theme

My work explores the role of visual art in Bangladesh’s July 2024 student revolution focusing on how murals, graffiti, posters, and digital graphics became powerful tools of protest when traditional media was silenced. Through archival research, photography and design experimentation, I am documenting and analyzing how these visuals united people, spread information and built collective memory during a time of state violence and censorship.

This project takes the form of a designed book which functions as both a historical record and a creative response. It blends text, photography, and visual analysis with experimental layouts inspired by the raw energy of protest walls. By doing so, I aim to show how art can act as a weapon of resistance, and how design plays a critical role in shaping political movements and preserving their legacy.

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